Remote exhibition
02 - 21 June 2006 | Plimsoll Gallery, Hobart, Tasmania
Vince Dziekan
Born , Montreal, Canada
Lives & works Melbourne, Australia
www.artdes.monash.edu.au
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Senior Lecturer Digital Imaging; Deputy Head Multimedia & Digital Arts, Monash University
Over the years, Vince Dziekan has used photography as a basis for his interdisciplinary research activities and towards negotiating the impact of digital technologies on art practice. He has exhibited widely in solo and group exhibitions in Australia, and, complementing his own artistic practice, has also curated exhibitions such as Archival Permanence: Time and Timelessness in 100 Years of Australian Photography, The Synthetic Image: Digital Technologies and the Image, and Small Worlds: A Romance.
The curatorial design of Remote is part of an ongoing interdisciplinary PhD project into the implications of virtuality and the art of exhibition (Without Walls: an interdisciplinary investigation of virtuality and the art of exhibition).
In addition, he is currently associated with ARC research on a Dictionary of Contemporary Australian Photography and involved in research activities with The Omnium Project, including co-convening the Creative Waves project in 2005.
He has published in relation to these research topics in peer-reviewed journals (M/C, Mesh/Experimenta, FibreCulture Journal) and refereed conferences, both nationally and internationally (including AoIR3.0/NetWorkTheory and AoIR4.0/Broadening the Band, PixelRaiders2, DCITA/OzeCulture, DRS/Futureground, Cumulus/Pride & PreDesign and Era05/World Design Congress).